Making room for the work.

Izaskun Etxebarria · Case study

Project details

Client
Izaskun Etxebarria
Year
2026
Role
Design and development
Standard
WCAG 2.2 level AA
Web
izaskunetxebarria.com (opens in a new window)
A scroll through the izaskunetxebarria.com home page: a circular metal piece on the grass of a clifftop by the sea, followed by full-width photographs of exhibitions and artworks, one after another, with the menu in a light bar at the top.

The project

Izaskun Etxebarria is an artist and curator. Her work moves between installation and drawing, in a practice where material, space and gesture carry as much weight as the image itself.

The challenge

Supporting the work.

The website had to do two things at once: support a highly visual body of work and bring order to her projects, exhibitions and writing, while respecting the character of each piece.

Presence.

The work needed space, scale and silence. The interface had to step back while still showing the way.

The page for the artwork Bide-zabalak, scrolled from top to bottom: the series framed on the wall, large images of streets and buildings on a dark background, the crimson band with the title and the text in two columns.
Bide-zabalak

The structure

A complex practice, without oversimplifying it.

Works, exhibitions and writing had to be explorable without losing the character of the project.

Each series is navigated as what it is: a whole, not a set of loose images. In “Agujeros de tiempo”, the panoramas move from side to side with the pointer.

The series “Agujeros de tiempo”: below the crimson band with the title, a panorama of cereal fields under a cloudy sky moves from side to side as the pointer moves; then the next one.
Agujeros de tiempo

Design decisions

The project was built on a simple idea: less interface, so the work has more presence.

  • A restrained editorial structure.

    Typography, margins and hierarchy are there to organise, not to decorate. Everything sits on a strongly defined twelve-column grid.

  • Images first.

    Some pieces span the full width and others enter into dialogue with the text, creating a rhythm closer to a publication than to a conventional portfolio website.

  • Direct, predictable navigation.

    Few options, clear paths and an architecture that lets you move through the work without losing your bearings.

Black and white portrait of Izaskun Etxebarria, wearing glasses, her hand resting on her cheek, in front of shelves holding paintings and objects from her studio.

From the other side

“Johnny Vigas and I are close friends, and that trust was the foundation of the whole process. We started out thinking about a website that would bring together everything I have done over my life, but our conversations led us to something far more essential: recognising myself as an artist again.

Johnny has a remarkable ability to listen, to see the other person in a positive light and to discover their strengths, while also attending to the fears that come up along the way. His sensitivity and his connection with the art world made possible a website that is intimate, minimal, transparent and reflective. It is not a record of my career, but a space where people can get to know me first as an artist and then as everything else.”

Izaskun Etxebarria, artist and curator Translated from Spanish.

Accessibility statement for Izaskun Etxebarria (opens in a new window)

What makes your website accessible, or not?

If your project is inclusive, your website should be too.

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